La Historia · Side A

Los Apson

Agua Prieta, Sonora, 1959 — the band behind the name on the sign.

In 1959, brothers Arturo and Francisco "Pancho" Durazo picked up a guitar and a pair of drumsticks in Agua Prieta, Sonora, and started a band. Growing up on the border meant early access to American rock and roll over the radio — and by the early '60s, Los Apson Boys were translating that sound into Spanish and making it entirely their own. Their first-ever paid gig was a quinceañera.

The hits followed fast: "Popeye" broke them nationally in 1963, and by 1966 "Fue en un Café" — their Spanish take on "Under the Boardwalk" — had become a classic. Carlos Santana called Los Apson one of the most important bands to come out of Mexico. Paul McCartney singled out bassist Raúl Cota by name. Decades later, Pancho's son opened a taco stand in Tucson and named it after the band — and the walls inside are still covered in photos from those years.

La Historia · Side A

The Full Story

1959
Los Apson Boys, Agua Prieta, Sonora, early lineup
Arturo Durazo (guitar) and his brother Francisco "Pancho" Durazo (drums) start a band in Agua Prieta, Sonora, joined almost immediately by saxophonist José Luis "Lichy" García. Their first paid gig: a neighborhood girl's quinceañera, for six dollars.
Nov. 1959
Los Apson hand-lettered logo art
Local radio announcer Ricardo Rivas suggests the name "Los Apson Boys" — AP for Agua Prieta, SON for Sonora. The band takes the name and starts widening its circuit to Naco, Cananea, Nogales, and Hermosillo.
c. 1960
Los Apson group portrait, five members
Gigs multiply around the region — sets at the Silver Dollar cantina and the Copacabana, then a dance in Cananea for visiting students from Hermosillo, then the Club Social Ánahuac. Bassist Raúl Hernández Cota shortens his name to Raúl Cota and picks up the nickname "El Cubano" after a regular says he reminds him of a Cuban friend. Agua Prieta radio station F.H. gives the band its own weekly hour-long program.
1961
Los Apson in Chapultepec, Mexico City, 1961
The touring Caravana Corona show passes through Agua Prieta. Los Rogers' singer César Cervera catches a Los Apson set and urges them to try their luck in Mexico City. The band piles into a car and sets off on a rough, multi-stop road trip toward the capital. Eduardo Durazo, father of Pancho and Arturo, appears in this photo — after the band struggled to find a way to Mexico City, it was Eduardo who helped them make the trip.
1961
Los Apson on the road trip to Mexico City, 1961
García exits the group temporarily; Gilberto "Gil" Maldonado steps in on sax. En route to Mexico City, passing through Culiacán, the band discovers a teenage singer named Leopoldo "Polo" Sánchez Labastida, whose voice completes the classic lineup.
1963
Llegaron Los Apson album cover, 1963
Their first LP, Llegaron Los Apson — all instrumental — barely registers.
1963
Bailando y Cantando con Los Apson album cover, 1963
The second LP, Bailando y Cantando con Los Apson, lands with "Popeye" and turns the band into a national sensation almost overnight.
1964
Atrás de la Raya album cover, 1964
Atrás de la Raya is the first of three LPs the band releases this year, riding the momentum from "Popeye."
1964
El Barba Azul album cover, 1964
El Barba Azul and Aleluya round out the year and cement Los Apson as Mexico's top rock group. Polo leaves the band this same year to try a solo career.
1965
Los Apson with their Gold Record awards, 1965
Discos Peerless awards the band a Gold Record.
1965
Caravana Corona tour poster featuring Los Apson, Guaymas 1967
From 1965 to 1970, Los Apson tours Mexico with the legendary Caravana Corona, led by promoter Guillermo Vallejo — criss-crossing the country night after night as one of the tour's headline acts.
1966
Fue en un Café single sleeve, Los Apson
"Fue en un Café," their Spanish take on "Under the Boardwalk," becomes an enduring classic. "Fuiste a Acapulco" tops the national charts for six weeks — arguably the band's biggest hit ever.
1966–67
Los Apson full band lineup performing live
"Fuiste a Acapulco" tops the national charts for six weeks, joined by hits like "A la Media Noche," "Cuando Era un Jovencito," and "El Fin del Mundo" — plus beloved covers of the Beatles' "And I Love Her" and the bluegrass standard "Cotton Fields." Crowds get so big at their shows that police and fire crews are sometimes called in just to help manage the fans.
1966–69
No Hay Amor album cover, Los Apson
Four more studio albums for Peerless — No Hay Amor, El Arado, En Ritmo, El Compadre Vacilador — bring the total to eleven records in seven years, an output few Mexican rock bands of the era could match.
1975
30 Éxitos Los Apson Orfeón album cover
With the Caravana Corona years behind them, the Durazo brothers reunite with Frankie Gámez and a new lineup to record for label Orfeón. Around this time, Carlos Santana calls Los Apson one of the most important bands to come out of Mexico, and Paul McCartney singles out bassist Raúl Cota by name.
1976
Los Apson studio session collage, Satisfacción
Inside the studio for the Orfeón sessions — three LPs' worth of Los Apson, recorded with the new lineup.
Late 1970s
Los Apson performing live on stage to a full theater
Los Apson stays on the road, running an eight-month tour through Sonora, Chihuahua, and Baja California — still packing venues more than a decade after "Popeye" first broke.
1980
Los Apson performing live on stage, bass drum branded Los Apson
The band joins forces with fellow Agua Prieta group Acuario to form "Los Acuarson," landing bookings in Las Vegas and across California — taking the Apson sound north of the border.
1984
Arturo Durazo with guitar
Co-founder Arturo Durazo passes away from complications of cancer. A reunion attempt this same year keeps the band's name alive a little longer. His brother Pancho carries the legacy forward.
1990s
Los Apson reunited, group photo
Founding members Pancho Durazo and José Luis García reunite with a new lineup and bring Los Apson back to the stage for good.
1992
Los Apson members backstage, reunion era
The reunited band keeps performing through the decade, out of the studio and back where they started — on stage.
1994–99
Los Apson group photo, 1990s touring era
Los Apson tours all across the United States and Mexico, playing for a generation that grew up on their records and a new one discovering them live.
2001
Tacos Apson storefront and sign, Tucson
Pancho's son, Francisco Durazo Jr., opens Tacos Apson in Tucson — named for his father's band. The walls inside are still covered in photos from those years.
2002–12
Los Apson performing on television, matching blue suits
Los Apson keeps touring with new members, still playing television specials and stages across Mexico and the U.S.
May 6, 2012
Pancho Durazo with family
Pancho Durazo passes away at home in Agua Prieta. Decades earlier, he and his brother picked up a guitar and a pair of drumsticks and gave their hometown a sound of its own. That sound never stopped playing.
Today
Los Apson drummer performing today
Los Apson still plays, still tours Mexico and the U.S., and still opens with the same songs that filled a radio station in Agua Prieta back in 1959. Every show carries Pancho and Arturo's names forward — two brothers who picked up a guitar and a pair of drumsticks and built something that outlived them both. Their family is still building on it, one record and one plate of tacos at a time.